Ramayana in English

This page gives the first five verses of Valmiki's Ramayana in Sanskrit, with a Roman transliteration and an explanation of each, followed by Ralph T. H. Griffith's 1870 English verse translation of the whole first canto, in which the sage Narada tells the story of Rama in brief.

Edition:
Valmiki's Sanskrit, Bala Kanda 1.1.1 to 5, checked against Sanskrit Wikisource; Ralph T. H. Griffith, The Rámáyan of Válmíki, Book I, Canto I (1870), checked against the Internet Sacred Text Archive.
Written

Valmiki's question: Bala Kanda 1.1.1 to 5

The Ramayana opens with a question: the poet Valmiki asks the sage Narada whether any man now living has every virtue, and lists the qualities he means. The verses are printed in Devanagari with a Roman transliteration in the IAST system, and the explanations are ours.

Edition: Valmiki, Ramayana, Bala Kanda, canto 1, verses 1 to 5, in Sanskrit. Checked against Sanskrit Wikisource.

  1. Verse 1.1.1

    तपः स्वाध्यायनिरतं तपस्वी वाग्विदां वरम्।

    नारदं परिपप्रच्छ वाल्मीकिर्मुनिपुङ्गवम्॥

    tapaḥ svādhyāyanirataṃ tapasvī vāgvidāṃ varam|

    nāradaṃ paripapraccha vālmīkirmunipuṅgavam||

    Meaning: The ascetic Valmiki questions Narada, a sage devoted to tapas, spiritual discipline, and svadhyaya, the study of scripture. Narada is called the best of those skilled in speech and munipungava, literally a bull among sages, meaning the foremost of them. The epic opens with two sages in conversation.

  2. Verse 1.1.2

    को न्वस्मिन्साम्प्रतं लोके गुणवान्कश्च वीर्यवान्।

    धर्मज्ञश्च कृतज्ञश्च सत्यवाक्यो दृढव्रतः॥

    ko nvasminsāmprataṃ loke guṇavānkaśca vīryavān|

    dharmajñaśca kṛtajñaśca satyavākyo dṛḍhavrataḥ||

    Meaning: The question begins: who in the world today is gunavan, rich in good qualities, and viryavan, valiant? Who knows dharma, what is right, and who is kritajna, mindful of kindness received? Who is truthful in speech and dridhavrata, firm in his vows?

  3. Verse 1.1.3

    चारित्रेण च को युक्तः सर्वभूतेषु को हितः।

    विद्वान्कः कः समर्थश्च कश्चैकप्रियदर्शनः॥

    cāritreṇa ca ko yuktaḥ sarvabhūteṣu ko hitaḥ|

    vidvānkaḥ kaḥ samarthaśca kaścaikapriyadarśanaḥ||

    Meaning: The list continues. Who has good conduct, and who seeks the welfare of all living beings? Who is learned, who is capable, and who is ekapriyadarshana, uniquely pleasing to see? That last word suggests someone whose very presence gladdens everyone who meets him.

  4. Verse 1.1.4

    आत्मवान्को जितक्रोधो द्युतिमान्कोऽनसूयकः।

    कस्य बिभ्यति देवाश्च जातरोषस्य संयुगे॥

    ātmavānko jitakrodho dyutimānko'nasūyakaḥ|

    kasya bibhyati devāśca jātaroṣasya saṃyuge||

    Meaning: Who is atmavan, master of himself, who has conquered anger, who is radiant and free of envy? And whom do even the gods fear when his anger is roused in battle? The ideal man has mastered anger yet can still be terrible in a just fight. Commentators often count sixteen qualities in verses two to four.

  5. Verse 1.1.5

    एतदिच्छाम्यहं श्रोतुं परं कौतूहलं हि मे।

    महर्षे त्वं समर्थोऽसि ज्ञातुमेवंविधं नरम्॥

    etadicchāmyahaṃ śrotuṃ paraṃ kautūhalaṃ hi me|

    maharṣe tvaṃ samartho'si jñātumevaṃvidhaṃ naram||

    Meaning: Valmiki ends his question: this I wish to hear, for my curiosity is great, and you, great sage, are able to know such a man. Narada's answer, that one man has all these qualities and his name is Rama, fills the rest of the canto.

Narada's answer: Griffith's Book I, Canto I

Here is the whole first canto in Griffith's rhymed English couplets, printed as running paragraphs, with his spellings kept. After Valmiki's question comes Narada's answer, from Rama's virtues to his reign, and the canto ends with the traditional blessing on those who read the poem.

Edition: Ralph T. H. Griffith, The Rámáyan of Válmíki, translated into English verse, Book I, Canto I, 1870. Checked against the transcription in the Internet Sacred Text Archive, with its footnote markers removed and its typing errors corrected.

To sainted Nárad, prince of those Whose lore in words of wisdom flows. Whose constant care and chief delight Were Scripture and ascetic rite, The good Válmíki, first and best Of hermit saints, these words addressed: 'In all this world, I pray thee, who Is virtuous, heroic, true? Firm in his vows, of grateful mind, To every creature good and kind? Bounteous, and holy, just, and wise, Alone most fair to all men's eyes? Devoid of envy, firm, and sage, Whose tranquil soul ne'er yields to rage? Whom, when his warrior wrath is high, Do Gods embattled fear and fly? Whose noble might and gentle skill The triple world can guard from ill? Who is the best of princes, he Who loves his people's good to see? The store of bliss, the living mine Where brightest joys and virtues shine? Queen Fortune's best and dearest friend, Whose steps her choicest gifts attend? Who may with Sun and Moon compare, With Indra, Vishnu, Fire, and Air? Grant, Saint divine, the boon I ask, For thee, I ween, an easy task, To whom the power is given to know If such a man breathe here below.'

Then Nárad, clear before whose eye The present, past, and future lie, Made ready answer: 'Hermit, where Are graces found so high and rare? Yet listen, and my tongue shall tell In whom alone these virtues dwell. From old Ikshváku's line he came, Known to the world by Ráma's name: With soul subdued, a chief of might, In Scripture versed, in glory bright, His steps in virtue's paths are bent, Obedient, pure, and eloquent. In each emprise he wins success, And dying foes his power confess. Tall and broad-shouldered, strong of limb, Fortune has set her mark on him. Graced with a conch-shell's triple line, His throat displays the auspicious sign.

High destiny is clear impressed On massive jaw and ample chest, His mighty shafts he truly aims, And foemen in the battle tames. Deep in the muscle, scarcely shown, Embedded lies his collar-bone. His lordly steps are firm and free, His strong arms reach below his knee; All fairest graces join to deck His head, his brow, his stately neck, And limbs in fair proportion set: The manliest form e'er fashioned yet. Graced with each high imperial mark, His skin is soft and lustrous dark. Large are his eyes that sweetly shine With majesty almost divine. His plighted word he ne'er forgets; On erring sense a watch he sets. By nature wise, his teacher's skill Has trained him to subdue his will. Good, resolute and pure, and strong, He guards mankind from scathe and wrong, And lends his aid, and ne'er in vain, The cause of justice to maintain. Well has he studied o'er and o'er The Vedas and their kindred lore.

Well skilled is he the bow to draw, Well trained in arts and versed in law; High-souled and meet for happy fate, Most tender and compassionate; The noblest of all lordly givers, Whom good men follow, as the rivers Follow the King of Floods, the sea: So liberal, so just is he. The joy of Queen Kaus'alyá's heart, In every virtue he has part: Firm as Himálaya's snowy steep, Unfathomed like the mighty deep: The peer of Vishnu's power and might, And lovely as the Lord of Night; Patient as Earth, but, roused to ire, Fierce as the world-destroying fire; In bounty like the Lord of Gold, And Justice self in human mould.

With him, his best and eldest son, By all his princely virtues won King Das'aratha willed to share His kingdom as the Regent Heir. But when Kaikeyí, youngest queen, With eyes of envious hate had seen The solemn pomp and regal state Prepared the prince to consecrate, She bade the hapless king bestow Two gifts he promised long ago, That Ráma to the woods should flee, And that her child the heir should be.

By chains of duty firmly tied, The wretched king perforce complied.

Ráma, to please Kaikeyí went Obedient forth to banishment. Then Lakshman's truth was nobly shown, Then were his love and courage known, When for his brother's sake he dared All perils, and his exile shared. And Sítá, Ráma's darling wife, Loved even as he loved his life, Whom happy marks combined to bless, A miracle of loveliness, Of Janak's royal lineage sprung, Most excellent of women, clung To her dear lord, like Rohiní Rejoicing with the Moon to be. The King and people, sad of mood, The hero's car awhile pursued. But when Prince Ráma lighted down At S'ringavera's pleasant town, Where Gangá's holy waters flow, He bade his driver turn and go. Guha, Nishádas' king, he met, And on the farther bank was set. Then on from wood to wood they strayed, O'er many a stream, through constant shade, As Bharadvája bade them, till They came to Chitrakúta's hill. And Ráma there, with Lakshman's aid, A pleasant little cottage made, And spent his days with Sítá, dressed In coat of bark and deerskin vest. And Chitrakuta grew to be As bright with those illustrious three As Meru's sacred peaks that shine With glory, when the Gods recline Beneath them: Siva's self between The Lord of Gold and Beauty's Queen.

The aged king for Rama pined, And for the skies the earth resigned, Bharat, his son, refused to reign, Though urged by all the twice-born train. Forth to the woods he fared to meet His brother, fell before his feet, And cried, 'Thy claim all men allow: O come, our lord and king be thou.' But Rama nobly chose to be Observant of his sire's decree. He placed his sandals in his hand A pledge that he would rule the land: And bade his brother turn again. Then Bharat, finding prayer was vain, The sandals took and went away; Nor in Ayodhyá would he stay. But turned to Nandigráma, where He ruled the realm with watchful care, Still longing eagerly to learn Tidings of Ráma's safe return.

Then lest the people should repeat Their visit to his calm retreat, Away from Chitrakúta's hill Fared Ráma ever onward till Beneath the shady trees he stood Of Dandaká's primeval wood, Virádha, giant fiend, he slew, And then Agastya's friendship knew. Counselled by him he gained the sword And bow of Indra, heavenly lord: A pair of quivers too, that bore Of arrows an exhaustless store. While there he dwelt in greenwood shade The trembling hermits sought his aid, And bade him with his sword and bow Destroy the fiends who worked them woe: To come like Indra strong and brave, A guardian God to help and save. And Ráma's falchion left its trace Deep cut on Súrpanakhá's face: A hideous giantess who came Burning for him with lawless flame. Their sister's cries the giants heard. And vengeance in each bosom stirred: The monster of the triple head. And Dúshan to the contest sped. But they and myriad fiends beside Beneath the might of Ráma died.

When Rávan, dreaded warrior, knew The slaughter of his giant crew: Rávan, the king, whose name of fear Earth, hell, and heaven all shook to hear: He bade the fiend Márícha aid The vengeful plot his fury laid. In vain the wise Márícha tried To turn him from his course aside: Not Rávan's self, he said, might hope With Ráma and his strength to cope. Impelled by fate and blind with rage He came to Ráma's hermitage. There, by Márícha's magic art, He wiled the princely youths apart, The vulture slew, and bore away The wife of Ráma as his prey. The son of Raghu came and found Jatáyu slain upon the ground. He rushed within his leafy cot; He sought his wife, but found her not. Then, then the hero's senses failed; In mad despair he wept and wailed, Upon the pile that bird he laid, And still in quest of Sitá strayed. A hideous giant then he saw, Kabandha named, a shape of awe.

The monstrous fiend he smote and slew, And in the flame the body threw; When straight from out the funeral flame In lovely form Kabandha came, And bade him seek in his distress A wise and holy hermitess. By counsel of this saintly dame To Pampá's pleasant flood he came, And there the steadfast friendship won Of Hanumán the Wind-God's son. Counselled by him he told his grief To great Sugríva, Vánar chief, Who, knowing all the tale, before The sacred flame alliance swore. Sugríva to his new-found friend Told his own story to the end: His hate of Báli for the wrong And insult he had borne so long. And Ráma lent a willing ear And promised to allay his fear. Sugríva warned him of the might Of Báli, matchless in the fight, And, credence for his tale to gain, Showed the huge fiend by Báli slain. The prostrate corpse of mountain size Seemed nothing in the hero's eyes; He lightly kicked it, as it lay, And cast it twenty leagues away. To prove his might his arrows through Seven palms in line, uninjured, flew. He cleft a mighty hill apart, And down to hell he hurled his dart, Then high Sugríva's spirit rose, Assured of conquest o'er his foes. With his new champion by his side To vast Kishkindhá's cave he hied. Then, summoned by his awful shout, King Báli came in fury out, First comforted his trembling wife, Then sought Sugríva in the strife. One shaft from Ráma's deadly bow The monarch in the dust laid low. Then Ráma bade Sugríva reign In place of royal Báli slain. Then speedy envoys hurried forth Eastward and westward, south and north, Commanded by the grateful king Tidings of Ráma's spouse to bring.

Then by Sampáti's counsel led, Brave Hanumán, who mocked at dread, Sprang at one wild tremendous leap Two hundred leagues across the deep. To Lanká's town he urged his way, Where Rávan held his royal sway.

There pensive 'neath As'oka boughs He found poor Sitá, Ráma's spouse. He gave the hapless girl a ring, A token from her lord and king. A pledge from her fair hand he bore; Then battered down the garden door. Five captains of the host he slew, Seven sons of councillors o'erthrew; Crushed youthful Aksha on the field, Then to his captors chose to yield. Soon from their bonds his limbs were free, But honouring the high decree Which Brahmá had pronounced of yore, He calmly all their insults bore. The town he burnt with hostile flame, And spoke again with Ráma's dame, Then swiftly back to Ráma flew With tidings of the interview. Then with Sugríva for his guide, Came Ráma to the ocean side. He smote the sea with shafts as bright As sunbeams in their summer height, And quick appeared the Rivers' King Obedient to the summoning. A bridge was thrown by Nala o'er The narrow sea from shore to shore. They crossed to Lanká's golden town, Where Ráma's hand smote Rávan down. Vibhishan there was left to reign Over his brother's wide domain. To meet her husband Sitá came; But Ráma, stung with ire and shame, With bitter words his wife addressed Before the crowd that round her pressed. But Sitá, touched with noble ire, Gave her fair body to the fire. Then straight the God of Wind appeared, And words from heaven her honour cleared. And Ráma clasped his wife again, Uninjured, pure from spot and stain, Obedient to the Lord of Fire And the high mandate of his sire. Led by the Lord who rules the sky, The Gods and heavenly saints drew nigh, And honoured him with worthy meed, Rejoicing in each glorious deed. His task achieved, his foe removed, He triumphed, by the Gods approved, By grace of Heaven he raised to life The chieftains slain in mortal strife; Then in the magic chariot through The clouds to Nandigráma flew. Met by his faithful brothers there, He loosed his votive coil of hair: Thence fair Ayodhyá's town he gained, And o'er his father's kingdom reigned. Disease or famine ne'er oppressed His happy people, richly blest With all the joys of ample wealth, Of sweet content and perfect health. No widow mourned her well-loved mate, No sire his son's untimely fate. They feared not storm or robber's hand; No fire or flood laid waste the land: The Golden Age had come again To bless the days of Ráma's reign. From him, the great and glorious king, Shall many a princely scion spring. And he shall rule, beloved by men, Ten thousand years and hundreds ten, And when his life on earth is past To Brahmá's world shall go at last.' Whoe'er this noble poem reads That tells the tale of Ráma's deeds, Good as the Scriptures, he shall be From every sin and blemish free. Whoever reads the saving strain, With all his kin the heavens shall gain. Bráhmans who read shall gather hence The highest praise for eloquence. The warrior, o'er the land shall reign, The merchant, luck in trade obtain; And S'údras listening ne'er shall fail To reap advantage from the tale.

What the Ramayana is

The Ramayana, the journey of Rama, is one of the two great Sanskrit epics of India, alongside the Mahabharata. Tradition credits it to the sage Valmiki and calls it the adi kavya, the first poem. For many Hindus it is scripture as well as poetry, since Rama is worshipped as an incarnation of Vishnu.

Tradition counts about 24,000 verses in seven books called kandas. Scholars disagree about dates, but most place the bulk of the poem in the second half of the first millennium BCE, and many regard the first and last books as later additions. Regional versions differ, so verse numbers can vary slightly between editions.

Bala Kanda
Rama's birth and youth, and his marriage to Sita.
Ayodhya Kanda
Kaikeyi's demand and the exile.
Aranya Kanda
Life in the forest and the abduction of Sita.
Kishkindha Kanda
The alliance with Sugriva and the monkeys.
Sundara Kanda
Hanuman's leap to Lanka and his discovery of Sita.
Yuddha Kanda
The war, Ravana's death, and the return home.
Uttara Kanda
Rama's reign, Sita's second exile, and the end of the story.

The story in brief

Rama is the eldest son of King Dasharatha of Ayodhya. On the eve of his crowning, Queen Kaikeyi claims two boons the king once promised her: that her son Bharata be made heir, and that Rama be exiled to the forest for fourteen years. Bound by his word, the king agrees. Rama goes without complaint, with his wife Sita and his brother Lakshmana, and Bharata rules only as his regent.

In the forest Ravana, the ten-headed king of the rakshasas, or demons, of Lanka, carries Sita away. Rama allies with Sugriva, the exiled monkey king, whose minister Hanuman leaps the sea and finds her. An army crosses to Lanka by a bridge, Ravana falls in battle, and Rama returns to Ayodhya to be crowned. In much of northern India the lamps of Diwali recall his homecoming.

Canto I: the Ramayana in miniature

The first canto frames everything that follows: Narada answers Valmiki's question by naming Rama of the line of Ikshvaku, then tells his whole story in a few pages. Because it holds the epic in brief, tradition calls it the Samkshepa Ramayana, the short Ramayana, and some devotees recite it on its own.

It ends, as many sacred texts do, with a phalashruti, a passage that names the blessings of reading the poem and expresses the tradition's faith in it.

Ralph T. H. Griffith and his translation

Ralph Thomas Hotchkin Griffith (1826 to 1906) was an English scholar of Sanskrit who became principal of the Benares College in Varanasi. He published his Ramayana in English verse between 1870 and 1874, later translated the Rigveda, and spent his retirement in the Nilgiri hills of southern India, where he died.

He chose rhymed couplets of eight syllables, a brisk meter familiar to Victorian readers from the poems of Walter Scott. Rhyme keeps the story moving but pulls a translator away from the original's order: his version of Valmiki's question runs longer than the five verses above, with comparisons to the Sun and Moon, Indra, and Vishnu. In his lines Valmiki is "first and best of hermit saints," while in the Sanskrit above that title, munipungava, belongs to Narada. Sanskrit editions also differ among themselves, so read the canto as a companion to the original, not a word-for-word key.

Reading Griffith's spellings

Griffith marks long vowels with an accent, so Rama appears as Ráma, Sita as Sítá, and the poem as the Rámáyan. An apostrophe after s stands for sh, so Kaus'alyá is Kaushalya and Das'aratha is Dasharatha, and he often drops a final a, writing Nárad for Narada and Rávan for Ravana. The accents are not always consistent in the transcribed text, so you will see both Sítá and Sitá.

He calls the rakshasas giants and fiends, and some of his words have fallen out of use. A short glossary follows.

Vánar
The monkey people of the epic, Sugriva's subjects.
Báli
Vali, Sugriva's elder brother and rival.
Lord of Gold, Lord of Night, King of Floods
Kubera, god of wealth; the Moon; the Ocean.
Ween, emprise, falchion, scathe, meed
Believe, undertaking, sword, harm, reward.

Other tellings of Rama's story

Valmiki's poem is the root of a great family of Ramayanas. The best loved in northern India is the Ramcharitmanas, the lake of Rama's deeds, composed in Awadhi by Tulsidas in the late sixteenth century. It keeps the seven-book outline but places devotion to Rama, understood as God, at its heart.

In Bengal the Ramayana of Krittibas Ojha, usually dated to the fifteenth century, has long been the household telling, and in the Tamil country Kamban's Ramavataram holds a similar place. The story also traveled across Asia, in works such as the Thai Ramakien and the Old Javanese Kakawin Ramayana. Hanuman became a figure of devotion in his own right, and the Hanuman Chalisa has its own page in this collection.

How to read this page

Start with the five Sanskrit verses: say each line aloud from the transliteration, then read the explanation beneath it. Then read Griffith's canto straight through, aloud if you can, since rhymed verse is easiest to follow when heard.

The canto names many people and places in passing; the outline of the story above shows where each belongs.

Frequently asked questions

Who wrote the Ramayana?

Tradition holds that the sage Valmiki composed it, and the poem presents him as a contemporary of Rama who shelters Sita in his hermitage. Scholars generally see the epic as the work of more than one period, with an older core and later additions.

What is the first shloka of the Ramayana?

Tradition gives that name to a verse in the second canto, not to the opening lines. There Valmiki sees a hunter shoot one of a pair of krauncha birds, and his grief for the mate left behind pours out as a curse on the hunter, spoken in a new meter: the shloka, in which the whole epic is composed.

Is the Ramayana history or poetry?

Both views are held. Tradition calls the epic itihasa, an account of what happened, and many Hindus regard Rama as a real king and visit places linked with his life. Historians and literary scholars study it as an epic poem composed over centuries. This page presents the text and its tradition without deciding the question.

How is Valmiki's Ramayana different from Tulsidas's Ramcharitmanas?

Valmiki's poem is in Sanskrit and much older; Tulsidas wrote in Awadhi in the sixteenth century. The outline of the story is much the same, but the tone differs. Valmiki presents Rama above all as the ideal man, though the epic also identifies him with Vishnu, while Tulsidas writes throughout as a devotee singing of God come to earth.

Sources

The text above was checked line by line against these public-domain editions. The explanations are our own.

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